Having confirmed her dexterity with prickly obstacles, they began a five-year affair. For crime writer Raymond Chandler, she was one of a "shuttle service" of concerned friends who distracted him from depression.Īfter the New Year kiss with Ayer, Rickards predicted: "I'm going to have trouble with that little professor." On their first dinner date, he had her order artichoke vinaigrette to see how she would deal with the discarded leaves. "His skin was always faintly sunburned and the texture of fine dry silk," she recalled. They enjoyed a brief, giddy affair of oysters, champagne and trips to London's last music halls. On New Year's Eve in 1950, she and philosopher Ayer kissed at midnight, while she met Greene at a cocktail party when she fought her way to the bar to get him a dry martini. With her startling round eyes and tilted-up nose, Rickards made a vivid impression. She continued her relationship with fellow Australian and fashion photographer Alec Murray, taking a flat with him in Eaton Square, while another old friend, theatre designer Loudon Sainthill, recommended her for theatre and interior design work.Īt the same time, she met some of the most difficult and interesting men in 1950s London - Graham Greene, John Osborne and AJ Ayer. After a decent competition, it was knocked down at £8500, the highest price the artist has fetched at a UK auction (source: Artprice by Artmarket).Her arrival in London in 1949 marked "the real beginning of my life". Another work from the series is in the collection of the National Gallery of Australia and a smaller one had appeared at Canterbury Auction Galleries in October 2017, making £6000.
While continuing to design sets and costumes for major productions at the Royal Opera House as well as elsewhere, he also produced a large number of paintings and this example in Essex was part of a series depicting figures with architectural as well as musical elements. He also put together a significant personal collection.īorn in Tasmania, Sainthill worked in theatre design in Melbourne and it was his paintings of dancers that led to him being invited to London to exhibit at the Redfern Gallery. Hecht worked for many leading artists such as Graham Sutherland and Francis Bacon and crossed over into dealing later in his career. The Musician, a 2ft 6in x 22in (77 x 57cm) pen and ink, watercolour and gouache from 1958, came to auction from a vendor who had been bequeathed it by the well-known Chelsea framemaker Alfred Hecht. While an untitled watercolour and gouache by Alexander Calder (1898-1976) sold below predictions to the London trade at £18,000, one of the pictures going to a private buyer was an eye-catching work on paper by Australian artist Loudon Sainthill (1919-69). 'The Musician' by Loudon Sainthill – £8500 at Sworders.
It came with a handwritten letter from the artist dated October 1966 certifying that it was painted by her three years earlier. Procession, a brightly coloured Abstract from 1963, overshot a £6000-8000 pitch to take £12,000. This work was eventually knocked down at £12,000 to a US dealer, a mid-range price but one that may well have been more were it not for the long thin scratch to the right of the canvas.Ī US dealer also secured a small oil painting by Françoise Gilot (b.1921).
The property itself was sold in April.ĭamier et Cubes, a 18 x 15in (46 x 38cm) signed oil on canvas was characteristic of Venard’s distinctive angular style and, while it was not his largest or most colourful work, examples of which can make over £20,000, it certainly drew admirers. It came to auction as part of the contents from Folly Mill in Thaxted, a Grade II-listed manor house in Essex that provided Sworders with a large selection of furniture and antiques sold separately. The Modern and Contemporary art sale on October 5 was the Essex saleroom’s first under this banner, following a rebranding of its previously titled Modern British art auctions.īringing strong competition against a modest £2000-3000 estimate was an intriguing composition by the ‘post-Cubist’ Claude Venard (French, 1913-99).